The keyboard bumps are warm enough to melt the ice in your glass. The condensation on the outside a reminder of both the cold within and the heat without. In one of those bursts of optimism that accompany the new year, we picked Jonquil as a band to watch in 2011. Their debut EP, 100 Suns was by far the best of a 2010 crop of sunny bands, a focused, unacademic version of the afro-pop that Vampire Weekend provided the Spark Notes for four plus years ago. On, "Mexico", a one-off 7-inch single, the band washes their typical cascading guitars with backing vocals that tumble in time. But, it is those keyboards, and the drums once they kick in, that provide the vaguely syncopation, the poly-rhythm so unconscious of post-colonial politics that it somehow doesn't feel ripped off. These modern trajectories are curious; white kids from Oxford, England playing a style of music revived by kids from Columbia University who were accused of stealing it from Paul Simon who was accused of stealing it from the entire nation of South Africa. It brought us here, a small dose of the Southern Hemisphere called, "Mexico", melting by any means at all.
Listen :: Jonquil - "Mexico"
1 comment:
This is so close to being terrible. But... it's not. I mean that as a big compliment.
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