Modern love songs are often and best written with dual perspective, a sort of twin cinema, the bias and narrative of a protagonist offset with the opinion of another. The Postal Service described this methodology with crushing clarity on 2003 release, "Nothing Better" where Ben Gibbard's romantic solipsisms were redirected by Jen Wood's corrections, a style immortalized for all time with, "I feel I must interject here." The rest was history. If love and loss are done by two people, perhaps they are best sung this way. Sounding an awful lot like Stars - also pioneers of this boy-girl synth pop, The History of Panic craft a big, buzzing, boy-girl single, "The Chase" of this same archetype. Of course, "Nothing Better" was a cautionary tale where "The Chase" is more of a conversation, the male narrator, here History of Panic's mastermind Gerald Roesser, still playing the role of the bleeding heart against the distant laissez-faire of their counterpart. The key difference being, "The Chase" ends with the open-ended conditional, "If we want to ..." as the vocals merge briefly into a duet before the individual recidivism again creeps at the corners.
Listen :: The History of Panic - "The Chase" [Vimeo]
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